(in reverse chronological order)
the disappearance of for violin, viola, cello, and | 6′ [WIP]
if i must die (in memoriam refaat alareer), electroacoustic (2025). Written for Fire a 1,000 Poems. | 5’01”
eldorado, electroacoustic (2023) | 2’59”
how warm a little match would be, electroacoustic (2023) | 7’34”
extinguishing dance, electroacoustic (2022) | 9’40”
Station (palimpsest) (2021) for string quartet. Performed by Quartet 121. | 8′
Albumleaves (2021) for piano | 11′
Slow Cancellation (2020) for clarinet, violin, cello, and piano. Commissioned by Copland House. | 10′
(re)capitulation (2019, rev. 2021) for violin, cello, piano, and live electronics. Commissioned by Longleash Trio. | 7′
Reliquary (2019) for violin, viola, cello, and piano. Commissioned by the Vienna Summer Music Festival. Performed by PHACE Ensemble. | 10′
Passing by (2019) for string quartet. Commissioned by highSCORE Festival. Performed by Quartetto Indaco. [6′]
Green/Escape (2019) for chamber orchestra | 2.2.3(III=bcl).tsax+ssax.2 – 2.2.2.1 – 3perc – pf – str | 9′
Studies on Darkness (2018) for large ensemble. Commissioned and performed by the New Juilliard Chamber Ensemble | 1(=afl,picc).1(=ca).1(=bcl+e♭cl).tsax(=ssax).1(=cbn) – 1.1.1.1 – 1perc – pf – str(1.1.1.1.1) | 16′
Shadow Play (2018, rev. 2021) for string quartet. Commissioned by the Gena Rapp Competition, The Juilliard School. Performed by Azure Quartet. | 13′
Pleiades (2017) for 3 percussionists. Performed by Cisum Ensemble. | 6’30”
Night sky (2016) for 3 percussionists. Commissioned by the Charlotte New Music Festival. Performed by Iktus. | 7’30”
Pieces in Pieces (2019) for bass clarinet, accordion, percussion, and double bass. Commissioned by But What About Ensemble. | 6′
Daybreak (2017) for violin. Commissioned and premiered by Michiko Theurer, Boulder, Colorado, April 2017. | 6′
Red (2016) for piano and string trio. Commissioned by the Zodiac Music Festival, Valdeblore, France. | 6′
Clara Kim 